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From Book 1: Marvel Now! begins for the God of Thunder! The gods are vanishing, leading Thor on a bloody trail that threatens to consume his past, present and future. To save these worlds, Thor must unravel the gruesome mystery of the God Butcher!
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23 of 27 people found the following review helpful.
Fact: Thor is No Longer Marvel's Version of Wonder Woman
By Maggie's Bro
NOTE: This is a slightly expanded version of my original review for Issue # 1 of THOR: GOD OF THUNDER, a review which I originally posted on Amazon back in November of 2012 but then took down due to trolling. (Mostly DC trolls) Nonetheless, after consuming this entire first volume, my initial reaction to this new series still stands.
With all due respect to Jack Kirby's Thor and to Brian Azzarello's recent work on "The New 52" WONDER WOMAN, based on this first volume of THOR: GOD OF THUNDER, VOL 1: THE GOD BUTCHER (the latest TPB in the "Marvel NOW!" reboots), Jason Aaron has FINALLY made goldilocks a compelling and intriguing character in his own right. More importantly, He-Who-Weareth-His-Mother's-Drapes is also more entertaining than ever.
And yet, though it opens on a boisterous note with the youngest, earthiest version of Thor rowdily carousing in an Icelandic tavern, this first volume wastes little time in literally raising hell:
Alarmed by the horrified shrieks of otherwise desensitized Vikings, a suddenly sober Thor must immediately investigate the mysterious appearance of a corpse unlike any that has ever washed up on the bloody shores of Iceland--the corpse of a god who has obviously drifted too far from his own shores. How could this mysterious dead god have drifted so far? Could there be more dead gods on the way? More importantly, what terribly powerful entity could have possibly killed a god to begin with and why?
And so begins an unprecedentedly high-stakes murder story that promises to consume Thor through three different time frames: the aforementioned younger, drunker, earthier Thor of the past, a more cosmic and responsible--though still hard-drinking--present-day Thor, and a grayer, even lonelier, more battle-tested--if not necessarily any less intemperate--kingly Thor of the future. Coupled with the daunting mystery of a god-murdering serial killer, on the surface this multiple-time frame structure might seem like too much epic to cram into just one volume of a Thor comic. It's not.
Despite the story-line's vast scope and fast pace, Aaron's skill as a writer keeps you hooked where a lesser writer could have easily confused the living hell out of you, or at best inspired some serious eye-rolling: ***SPOILER ALERT*** as the story keeps leaping forward in time, not only do we witness how the mounting body count keeps raising the stakes on Thor's investigation, we also see the increasingly calamitous effects that these events will have on Thor himself, making us wonder as to the exact nature of the role that Thor has played throughout the ages in all of this mayhem. Has he played too big of a role? Or not enough of one? Maybe both. ***SPOILER OVER*** If one thing is certain about this first volume, it's how the story keeps pulling us in opposite directions, compelling us to want to know what will happen next, while keeping us guessing as to how we got there.
Oh, and similar to recent versions of the character, Aaron's ale guzzling Thor is also a likable chap. Though nowhere near as "cuddly" as the disposable movie-version, this Thor is still appropriately boastful, charmingly vain, and generally laid-back (he is a god, after all). Yet he never comes off as aloof, cloying, or goofy. On the contrary, he's actually kind of cool. ***SPOILER ALERT*** What's more, in one unexpected sequence, where he responds to a prayer that has been personally directed to him by the child of a godless people, ***SPOILER OVER*** Thor also proves himself a genuinely intriguing god: not only does he take his job seriously, after all, but the G.O.T. might actually CARE. Like I said, intriguing.
Speaking of which, though atypically lavish and photo-realistic for a comic book, the beautiful artwork on display here never devolves into novelty or spectacle for its own sake. On the contrary, swathed in lush shadows and bloody hues, Esad Ribic's intriguing mix of cinematic visuals and vaguely Disneyesque character work not only keeps pace with the script's magnificent style, it also amplifies the story's more rambunctious qualities, keeping the proceedings ominous yet that much funner to experience.
Aaron and company clearly know what they're doing here, people. Kudos also goes to Marvel, which was wise to hand the responsibility of launching a new Thor series to a creative team that is spearheaded by Aaron's prodigious writing ability: though I'm obviously not impervious to gimmicky publishing events like "Marvel NOW!" (Marvel's attempt to out-headline DC, which, as you might have heard, recently underwent a major reboot itself with its "New 52" titles), I would have NEVER purchased a Thor comic if the talents of a writer like Jason Aaron had not been involved. Dig? I mean, a traditionally humorless, drapes-wearing version of Wonder Woman but male and with a big magic mallet in lieu of a magic lasso? Normally I would take a pass.
Verdict: Buy this NOW! For my money, THOR: GOD OF THUNDER, VOL. 1: THE GOD BUTCHER lives up to the hype surrounding both the "Marvel NOW!" reboot initiative and Jason Aaron's previous work--which is saying a lot. Relentless, intriguing, and hell-raising fun, this first volume already has me eagerly waiting to see what happens with future (and, uh, past) story lines and I'm sure that I will remain hooked when we get there.
10 of 11 people found the following review helpful.
A God and His Hammer. Rocking that Hammer.
By Slim Cat
This volume collects issues 1-5.
This is an incredible series with larger than life storytelling brought to life with epic art. A great jumping on point for new Thor fans, like myself.
Jason Aaron weaves a tricky yet fascinating tale of a mad God murderer that Thor has encountered in his past, in the present, and all roads point to a bleak future. Thor answers the prayers of an innocent alien child who wants rain for her planets' dry climate. Thor, being a God of thunder after all, provides her her heart's desire. After completing his duty he inquires where are her peoples Gods, to which she replies they have abandoned them. Thor is enraged and discourages such talk, which is great because in one scene we see the gentleness and brutishness of this superbeing claimed a God, and vows to find out what has happened to this peoples Gods. Thor investigates and finds an old forgotten enemy is at work, continuing his passion of deicide.
The tale unfolds showing Thor encountering Gorr, the God Butcher, our antagonist, in the past, the young warrior Thor, the present avenging Thor, and the future old king Thor. Each one has a distinct voice and Aaron shows that a few centuries will have a change on a God but at his core he remains the same brash noble warrior. Gorr is an interesting villain whose hate for Gods has no bounds in this story. The only thing lacking in this story is his motivation, but at the end of this volume we are promised his origin tale in the next.
Aaron pays respect to all mythologies by not just making the Norse Gods the only Gods of earth but others are mentioned and it is made known all cultures of this planet are represented. Even other planets and galaxies are as well. Thor is not only horrified at the slaughter of his kind but the fact that mortals do not seem to care. What good are Gods when their people do not believe in them?
The art is a huge draw for this series. Esad Ribic illustrates some gorgeous panels, exquisitely colored by Ive Svorcina (Dean White does issue 1). Their combined efforts resemble the theologic gracefulness of medieval paintings. Epic.
Some minor flaws people may find: First, this conflict with Gorr may feel dragged out. I believe, from future solicits, that this battle rages on for 11 issues, but the first five are well paced and quite entertaining. One thing that bugged me is the Marvel universe is a pretty big and shared one. Wolverine and Spiderman are bound to drop by unannounced. Thor is really terrified of Gorr, but he only calls a friend one time with no resolution. And the other Gods of Asgard are not around. Kinda odd for a guy who should have connections.
A roaring good time and a heart pounding epic of a tale of a God fighting a monster throughout three different times with some of the best artwork in comics.
6 of 6 people found the following review helpful.
Thor: God of Thunder Vol. 1, Collecting Issues 1-11
By Kevin Burke
This review is for the 2014 hardcover edition that collects issues 1-11 of Thor: God of Thunder.
First, on the collection itself. This is one of the best hardcover collections I've encountered that wasn't an "Absolute" or "Omnibus" or other special edition intended to focus on art or that included extensive extras. This is an over-sized (relative to the comic book page, and relative to the five-issue hardcovers) collection with glossy pages. As you can clearly see in the image here and elsewhere, the dust cover uses Esad Ribic's cover to issue 3 on the front and #4 on the back, with the covers to issues 1 and 2 on the front and back cover, respectively, of the book itself. All are reproduced beautifully. This edition doesn't call itself a "Deluxe" hardcover or anything like that, but because Marvel's released the shorter-length hardcovers, there was clearly some incentive to make this an especially nice edition for collectors. And so it is. There are some bonus features, including a gallery at the end of variant covers to the first few issues, Esad Ribic's design sketchbook, and pencils for a few pages and pencil/ink comparisons for a few others. This is everything I want in a hardcover collection - it's exactly the right size and format to really read a story from beginning to end, it gives some insight into the artist's process, and it reproduces the original comics (which I own) beautifully. All I could hope for from a better collection would be notes from writer Jason Aaron, perhaps an introduction from someone famously associated with Thor, preferably in the comics industry, maybe even a full script for one of the individual issues. And I'd be willing to pay more for something like that. And to be clear, this is a book worthy of a much more extensive collection that includes all that and more, which I'll say more on now.
Because the story of the God Butcher, and the way it is presented through these eleven issues is one of the great Thor stories. In terms of the story itself, it takes the idea of godhood and considers whether it is good or bad to be a god, and whether or not religion is worthwhile, given all the bad things that happen while the gods attend to their own affairs. It shows Gorr to be a sympathetic character, someone who has suffered greatly through his culture's belief in gods, or so he thinks, and who can see no recourse but to save all the universe from the lie (from his perspective) that faith in gods is to all living things, and how it adversely affects us. But Gorr isn't the hero of the story, and Aaron uses Thor not only as a protagonist, but as three separate protagonist at three points in his life, the young brash god not yet worthy of Mjolnir, the battle-tested Avenger confident and mighty, and the future King of Asgard, Thor of the distant future. This perspective on Thor in multiple aspects gives us a great deal of insight into what a god is and can be, and by the end we may see that there's some room for religion in the world, even if gods like Thor aren't perfect.
Or you might gloss over all that allegory and just think that it's really cool as Thor solves a mystery, fights a bad guy all across time and space (yeah, there's time travel!), and we get to see Volstagg as a thin man and Thor's granddaughters of that distant future. Lots of action, drama, and suspense. It's an awesome good time.
The art, too, is worth your time. If you like the cover, you'll love the book. Esad Ribic's style feels extremely fluid, which serves the action well, but it also allows so much room for your imagination. This is one of the first Thor stories I've read, and I've read decades' worth, that made Asgard and the affairs of gods feel like it was in a land beyond the knowledge of men, like it was something I couldn't quite comprehend with my own eyes. A great deal of the credit for that is undoubtedly also due to colorists Dean White and Ive Svorcina. It always feels like there's something subtle happening in the shadows, there's always something magical emanating from Mjolnir. As much as I've loved Russell Dauterman's work on the new Thor series, I really miss how Ribic made Asgard and Thor feel majestic in a way I hadn't experienced before, even with my favorite Thor artists.
But above all, this is just a beautiful collection, getting the whole story of Gorr in one collection, including the entire vision of writer and artist (with the fill-in issue of Butch Guice and company in issue 6, well done but not as spectacular) in one book, with fantastic extras and a format that reads like no other. I've just acquired the second volume in this series, and I'm looking forward to it, but I know it can't possibly be as fantastic as this given that it doesn't have as cohesive an art, story, and design aesthetic as this volume. This volume has instantly become one of my favorite editions of comic art. Well done, Marvel.
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