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From Book 1: After volunteering to take a group of blind students on a field trip, Matt Murdock dons his Daredevil persona in order to lead the students out of danger.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Amazing book. So far my second favorite comic book ...
By Kemery D
Amazing book. So far my second favorite comic book of all time (vol 5 of the previous Waid series being absolute favorite) Waid is incredible. Great story, amazing characters, natural dialogue, incredible art
0 of 0 people found the following review helpful.
Four Stars
By robert martin
waid does a decent daredevil
17 of 17 people found the following review helpful.
Slightly off for an issue or two, but mostly great work by Waid and Rivera.
By The Blue Thunder Bomb
"Everything old is new again" seem to be the words that writer Mark Waid finds guiding his hand through his rather unique direction for The Man Without Fear. It's been critically hailed and it's selling like hotcakes... but there seems to be something of a disconnect with the hardcore fans of ol' Hornhead. The reason for that disconnect seems to be that Matt Murdock, our favorite blind lawyer, seems to be enjoying himself a little bit more than he has in recent... well, decades. Since the late 70's, Frank Miller (first as just the artist and co-plotter and later as writer/artist) made DD into a superhero crime-noir book and since then, a never-ending gulf of depression, insanity, heartache, death, loss and Catholic guilt have followed him from writer to writer. From Miller to Nocenti to Kevin Smith to Bendis to Brubaker, Matt has been the ultimate whipping boy for creators to see how many heaping helpings of suffering that they could force on Battlin' Jack's son. I honestly don't know if the fans wanted that suffering to continue, but I, for one, was more than pleasantly surprised when Waid's new run on the title brought us a return (in part) to the days of the Scarlet Swashbuckler, showing that Daredevil could fight crime and have a little bit of a twinkle in his eyes (no pun intended) and a bit more of a spring in his step. Now as we found out in the first issue of Waid's run, Matt's faithful partner and best friend Foggy Nelson was asking if Matt truly felt happier than before, to which Matt's response was something to the effect of "This is how I choose to deal with this now". We also find out that Matt is now in possession of something called The Omega Drive, which is a massive amount of data on what Matt refers to as "Megacrime" (essentially the five major crime and terror organizations in the Marvel Universe such as Hydra, AIM, The Black Spectres, Agence' Byzantine and The Shadow Empire), and this data is encrypted on an older Fantastic Four emblem through the use of Reed Richards famous "unstable molecules" used for the FF's suits.
Everyone following this so far?
This collection of DD has two main story arcs going on. The first is one that had me worried that Waid was going to take Murdock back into darker storytelling as Jack Murdock's grave, as well of the graves of several others are sucked underground by The Mole Man. Daredevil must then trek through The Mole Man's Hades-esque underworld to recover the remains of his father and confront Ol' Moley and his legion of Moloids. A different writer would have gone in a Joseph Campbell/HEART OF DARKNESS kind of route with this idea, but then, most writers wouldn't have HAD this kind of an idea to begin with. This is DD not doing battle with his darkest foes like The Kingpin or Bullseye or Mr. Fear; this is DD having a showdown with the first supervillain of Marvel's Silver Age era, and that idea for Daredevil deserves points in and of itself. The execution of this storytelling wasn't quite on par with Waid's other work on this title, but the final realization that Matt comes to is definitely keeping with Waid's tone.
The second major arc is between old friends Daredevil and Spider-Man and the woman that comes between them (in a way). Basically, one of Spidey's old flames, Felicia Hardy aka The Black Cat (aka the Catwoman of the Marvel Universe) is framed for a crime she didn't commit and she goes to get the help of both "Spider" and DD (this also becomes a crossover to Spidey's regular title that was written by Waid, taking over briefly for that series' writer, the great Dan Slott). As the investigation into exactly what Black Cat has gotten the both of them into, she seems to be trying to get REALLY cozy with DD, much to the chagrin of good ol' Webhead. Spidey even has a great line about this as he sees the interaction between the other two and says, "This is the beginning of my origin as a supervillain". It's a great line that rolls right out of Spidey, showing what an affinity Waid already has for that character, having written him for a while as well. What also shows clearly about Waid's skill as a writer in this adventure is the interplay between Daredevil and Spidey; they're old friends that are both outsiders and have teamed up several times throughout the years and they have almost a Hope and Crosby kind of banter between them, even in some pretty dire moments. What Black Cat actually has in mind for Murdock is something different, but their mutual attraction is a bonus (there's a reason DD is infamously referred to a "the biggest himbo to ever put on tights"). That actually doesn't end in the way one might think, but it does lead to a more immediate problem in both the lives of DD and Spidey... and a certain skull-shirt sporting vigilante, but that's a story for the next volume.
The issues that work the best in this volume are issues 7 and 10.1. Issue 7 is an extremely tense but ultimately heart-warming and emotional Christmas issue for DD, in which Matt goes to visit a school for blind kids. Some may find this issue a tad manipulative in its heart-string tugging, but it works masterfully. But Waid and artist Paolo Rivera bring their considerable skill to bear to create what I considered one of the best single issues of 2011. Also great is the "Point One" issue, which is supposed to be (and in this case, actually is) an issue that anyone can buy and jump right in to the title. This particular issue deals with the not-too-distant past with Matt Murdock being "outed" as Daredevil, which he refutes constantly, and a super-criminal that he has come to represent in prison who is claiming inhumane treatment. It gives us a re-introduction to Matt's abilities in a novel way, and it also sets the stage for a minor "event" within the Marvel U, but you can bet your red boots it's going to be something of a game-changer for the characters involved.
Waid continues his terrific work on this title that has really set something of a bar for the current Marvel U, with other comics like Dan Slott's AMAZING SPIDER-MAN and Bendis' sadly too-soon-ended run on MOON KNIGHT, that we as readers actually do like to see some of our heroes have a bit of fun occasionally and not just constant conflict and emotional and physical horror. Obviously, there are characters that just aren't suited for this, but for Daredevil, I think the guy deserves a break.
And if you think so too, then Mark Waid and Paolo Rivera's run on DAREDEVIL is absolutely for you.
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