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From Book 1: You know you want to know how Star-Lord got back from the Cancerverse. And didn't Nova go in there with him? Guess he's not into the whole "no man left behind" thing.
Most helpful customer reviews
0 of 0 people found the following review helpful.
I absolutely loved it the art work was amazing and the storyline ...
By Lukas
I absolutely loved it the art work was amazing and the storyline of it is great, never thought I would love it as much as I do I've read it twice now
2 of 2 people found the following review helpful.
Filling plot holes, but nothing all that great
By Ben Martin
If you want to know what this story is all about, you'd be well served to read the earlier GotG run by Abnett and Lanning before diving in here, as this finally explains why Star-Lord, Thanos and Drax are not dead like they were at the end of that run. That part of the story comprises about the first half of this volume, and was at least a somewhat satisfactory answer to why Bendis brought back who he did for this team. It really should have happened before this though.
The second half of this has the Venom symbiote jumping from one character to the next, which got old after a while. Groot, Rocket, Drax ... ok we get it, We do get our first look at where the symbiote came from for the first time (that I know of), which was probably long overdue.
Overall, not too impressed with this story, though it is worth reading if you're fans of this team.
13 of 19 people found the following review helpful.
An insult to Marvel's rich cosmic history
By Zero
I'm no fan of Brian Michael Bendis, barring his Daredevil run. His name on a title is enough to repel me from a book. However, I'm also a tremendous fan of the Annihilation Era of cosmic comics written by Dan Abnett and Andy Lanning. I believe it to be one of the greatest comic sagas written in recent memory and it cemented Nova (Richard Rider) as my favorite hero of all time. For this reason I gave the first few issues of Bendis' GotG a shot, but dropped it after #3. It simply wasn't my cup of tea. Regardless, seeing that the fate of Richard Rider was supposedly going to be addressed got me to read this. In retrospect, I wish I hadn't. I went in with low expectations but one can hope for the best.
The story collected is actually two smaller arcs. The first is a tie-in for the Original Sin event but is far more relevant to the past story The Thanos Imperative. Those who haven't read it likely won't get much from this part other than some decent, albeit pointless, action. They'll be much better off in the long run because, to those familiar with Thanos Imperative, it quickly becomes apparent this story is grossly inconsistent with past events, to the point that every major plot point is reversed or ignored. One gets the impression Bendis never even bothered to read Thanos Imperative which is a problem when you're writing the immediate aftermath and addressing why characters who should be dead are alive. Being inconsistent with past stories is irksome enough but it's even worse when a story isn't even consistent with itself. For example, if you establish that characters can't die in an alternate universe, it makes no sense for the heroes to be worried about dying. Never mind the bleak recounting of events is sprinkled with more of that cheeky Bendis brand banter. To top it off, the whole thing ends with an ambiguous non-resolution about Richard's ultimate fate, leaving Nova fans no better off then they were before while simultaneously cheapening the heroic sacrifice he and Starlord made to conclude a great series of cosmic stories.
The second arc collected here is all about the team getting to a symbiote planet after Gent Venom starts acting srangly. It's a an interesting enough premise but the execution is sorely lacking. What could have been an intriguing look into the source of the Venom symbiote instead turns into little more than two issues of fluff where the cast plays musical chairs wearing the symbiote, trying to catch it and ultimately coming to a nice and simple conclusion that had no real build up, climax or dramatic tension. Worse still, to facilitate the ending, Bendis drops a multi-page info drop that effectively retcons the Venom symbiote, reducing it from a monstrous parasite and sometimes metaphor into something so cheesy, so hackneyed that it beggars belief. I'm not even sure why the change was made.
Insofar as the art, it's a mixed bag to me. Ed McGuinness did art for most of the Original Sin issue with help from Valerio Schiti in #20. McGuinness is decent in my opinion and he conveyed action well enough in his work here, but I feel his art needs to be paired with the right kind of book and his more toony aesthetic seemed at odds with the somber tone of these issues. It also seems inconsistent at times. Keep your eye on evil Cap's shield for a great example. Speaking of inconsistent, I always hate artist changes in the middle of an issue if not a story arc. It really takes me out of the book for a bit. Shiti's art is a better fit in my opinion but it didn't really leave much of an impression on me one way or the other.
As a writer, Bendis has bad tendencies that rub me the wrong way. The worst ones are is often flagrant disregard for canon, established characterization, and continuity. His repertoire of characters feels very limited and, when he tackles established ones for the first time, he often seems to throw out established history and characterization so he can force these people into archetypes he's more comfortable with, often making them more shallow in the process. This is especially bad in team books when dialogue is full of quips and everybody can start sounding the same. That's why I dropped this Guardians run the first time. I loved the Abnett and Lanning run. I loved those characters and these simply aren't my characters. They may as well be brand new. And for what? So these sorry facsimiles can just meander without direction, engaging in mundane shenanigans rather than the greater ideas that came before? This collection in particular exemplifies Bendis' bad tendencies at their absolute worst. For the average reader, it's just lousy material. For fans of Nova, the Annihilation Era, and perhaps even Venom, a slap in the face. Either through incompetence or apathy or maybe a little of both, Marvel's fantastic cosmic landscape appears to have been demolished.
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